Reactivations, l'Âge du Technocène

Group show

Details

February 28, 2024 - March 28, 2024

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17 Bouloi, Paris

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DANAE is pleased to present Reactivations, l’Âge du Technocène, a group show curated by Dominique Moulon, with: Lionel Bayol-Thémines, Louis-Paul Caron, Anne Horel, Kamilia Kard, Albertine Meunier, Minuit, ORLAN, Antoine Schmitt, Cecilie Waagner Falkenstrøm

There is no artistic practice that is not regularly updated according to technical, technological, social or societal evolutions. From portrait and self-portrait, among other genres in history painting, and from cave handprints to the digital data that so characterizes us, each generation of artists has its own means for reactivating modes of representation. The means of publishing art have not been spared in recent decades, if only with the emergence of successive versions of the Web. Now that artworks of all kinds can be encrypted on the blockchain, which protects them by authenticating them. The "Reactivations" exhibition presents creations which, in dialogue with one another, question modes of representation and publication as much as they provide readings of this world of ours in the present moment.

©ZEFERINO

(1) Minuit, La limite est une façade, 2022. ©DANAE. Courtesy of the artist.

artist

Anne Horel

Her AR effects count over than 130 million views on Instagram, Snapchat - where she is an Official Lens Creator - & TikTok - where she is an AR Ambassador. Her GIFs cumulate over than 1.9 Billion views on GIPHY where she is a featured artist since 2015. She is represented by Partizan since 2015 where she makes Music Videos, Documentaries, Animations, and Branded Content for Social Media. Not only working in the Web3 Fine Arts field, she also works with many clients like Meta, Giphy, Snapchat, Guerlain, Louis Vuitton, MTV, Red Bull, Lego, Nylon, Cheetos, Twitter, Ubisoft, Martini, Taco Bell......

curator

Dominique Moulon

Art critic and independent curator, Dominique Moulon holds a PhD in Arts and Sciences of the Art. Member of the Digital Art Museum (DAM) in Berlin and the International Association of Curators of Contemporary Art (IKT), he has been curator for art centers, art fairs and galleries in Paris, Brussels, Istanbul and Seoul. He has also been associate curator of the Nemo International Biennial of digital art. Member of the International Association of Art Critics (AICA), he has written articles for art magazines and exhibition catalogues. He currently writes for ArtPress and is the author of the books Contemporary New Media Art, Art And Digital Resonating, Art Beyond Digital and Masterpieces of the 21st Century. He is also a member of the National Network for Hybrid Arts and Digital Cultures (HACNUM)

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